Neat rows of grapevines run down the slopes of the Cotes de Beaune, all the way to the gravel driveway at Chateau de Corton Andre. The castle's traditional Burgundy black-and-yellow-tiled roof glistens in the autumn sun.
This is America, where Thanksgiving is portrayed in popular culture as a time for gatherings of loving families and friends, holding hands while saying grace over a roast turkey, passing casseroles and footballs, reminiscing about the past and dreaming of the future.
But. This being America, we also know that traditions — just like every other aspect of contemporary life — become more complex the more we examine them.
Long before singer and pianist Michael Feinstein became famous in his own right, he had the privilege of working closely with legendary songwriter Ira Gershwin, as his archivist and cataloger. In his book, The Gershwins and Me: A Personal History in Twelve Songs, Feinstein writes firsthand about the musical world of the American composers and brothers, George and Ira Gershwin.