Bob Mondello

Call it an accident of the calendar: two pairs of filmmaking brothers both opening movies on the same weekend, both films about the awkwardness of growing up. Jeff, Who Lives at Home is a post-mumblecore slacker comedy from the Duplass brothers, Mark and Jay. The Kid with a Bike is a Belgian slice-of-life drama from the Dardenne brothers, Jean-Pierre and Luc.

Robert De Niro's last outing with director Paul Weitz was less than auspicious: The comedy Little Fockers received terrible reviews. Being Flynn, their second collaboration, is a more serious affair about the estranged relationship between a fractious father and his son.

When Hollywood imagines the future, from Logan's Run to Avatar, it tends to picture living spaces as sterile and characterless, without any cultural clues to the person who lives there. No record library, no DVDs, no Hemingway on bookshelves ... often no bookshelves.

In the 11 years since the Oscars introduced an award for Best Animated Feature, the category has been dominated by children's movies, often with computer-animated pandas, penguins and ogres at their center. This year's a little different. Two of the animated films are subtitled, and one is definitely aimed at adults: the Spanish film Chico and Rita, an animated love story steeped in jazz.

Shrek, Hitch, Gattaca: What's in a name? Shakespeare said a rose by any other name would smell as sweet — but for Hollywood the question is more like, "Would that rose, by any other name, sell as many tickets?"

Whenever the late New York Times caricaturist Al Hirschfeld sketched Carol Channing — whether picturing her as an indomitable Dolly Levi, swathed in feathers and sequins, or as carbon-crazed Lorelei Lee, eyes sparkling like the diamonds that were that splendid creature's best friends — he always made her appear a creature composed entirely of lipstick, mascara and hairspray.

Wizards, transformers and vampires did their best, but they couldn't transform 2011 into a magical year for Hollywood: Despite all the 3-D and IMAX screenings and the premium prices that come with them, industry box office sagged by half a billion dollars compared with last year. But quality? That's another story.

The opening moments of A Separation lay out the story you'd expect to see in a film about a wife who is leaving her husband: Simin (Leila Hatami) and her bank-clerk spouse, Nader (Peyman Moadi), are explaining heatedly to a judge why they want a separation. Or actually, why they don't want it.

After being force-fed a steady diet of Oscar hopefuls for almost a month, I may just be ready for empty-calorie time at the cineplex. But I have to confess a sense of relief this week, as I watched entertainments that didn't seem to want to do anything other than show an audience a good time.

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