David Edelstein

David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.

A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).

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Movie Reviews
2:39 pm
Thu March 8, 2012

'Friends With' Benefits From Its Complications

In Friends With Kids, Jason (Adam Scott) and Julie (Jennifer Westfeldt) play two best friends who decide to have a baby together while keeping their relationship platonic — so that the baby doesn't interfere with their own romantic relationships.
JoJo Whilden Roadside Attractions

The premise of Friends with Kids is the stuff of high-concept romantic comedies: Writer-director Jennifer Westfeldt plays Julie, who's at the age when her odds of childbearing lessen each year, and there's no mate in sight. So her best friend, Jason, played by Adam Scott, volunteers to impregnate her.

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Movie Reviews
8:25 am
Fri March 2, 2012

'The Lorax': A Campy And Whimsical Seussical

The Once-ler (voiced by Ed Helms) and the Lorax (Danny DeVito) are surrounded by bar-ba-loots in Truffula Valley in Dr. Seuss' The Lorax.
Universal Pictures

Originally published on Fri March 2, 2012 10:02 am

At the far end of town
Where the Grickle-grass grows
And the wind smells slow-and-sour when it blows
And no birds ever sing excepting old crows ...
Is the Street of the Lifted Lorax.

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Movie Reviews
8:43 am
Fri February 24, 2012

'Wanderlust': A Zany Blast From The Communal Past

Orange You Glad We Wound Up Here? George (Paul Rudd) and Linda (Jennifer Aniston) play an unemployed Manhattan couple who stumble into a hippie farming commune whose denizens include characters played by Justin Theroux and Alan Alda.
Gemma La Mana Universal PIctures

Originally published on Fri February 24, 2012 11:15 am

In sophisticated comedy, what's funny is the tension between proper manners and the nasty or sexy subtext. Whereas in low comedy, there are no manners, and the nasty or sexy subtext is right there on the surface.

And then there's Wanderlust, in which the subtext is blasted through megaphones — the characters say so insanely much you want to scream. The satire is as broad as a battleship and equally bombarding. But it takes guts to do a comedy this big without gross-out slapstick, and the writers and the actors are all in.

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Movie Reviews
1:08 pm
Thu February 16, 2012

A Veteran's 'Return' To The Front Lines Of Home

Linda Cardellini plays a vet who returns from overseas with no way to make sense of where she was and what it meant in director Liza Johnson's new drama Return.
Dada Films

Originally published on Fri February 17, 2012 10:36 am

The coming-home genre is so rife with stock ingredients that first I'd like to tell you what Liza Johnson's very fine drama Return doesn't do. The camera doesn't move in on returning-veteran Kelli, played by Linda Cardellini, as the sound of battle rises and she's back in her head on the front lines. The film doesn't give you what I call the "psychodrama striptease," in which a past trauma is revealed piece by piece until you're finally, at the end, shown the essential bit.

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Movie Reviews
9:11 am
Thu February 9, 2012

'Safe House,' 'Haywire': Watch Them Back To Back

Mixed martial arts fighter Gina Carano stars as Mallory Kane, a highly trained covert operative, in a twisty, tautly wrought thriller.
Claudette Barius Relativity Media

Originally published on Fri February 10, 2012 9:19 am

The flashy Denzel Washington thriller Safe House will probably gross in a few hours what Steven Soderbergh's Haywire has made in several weeks, but if you like action you ought to catch both back to back. Soderbergh's film is a reaction to the jangled, high-impact style of Safe House and its ilk.

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