Jeff Lunden

Jeff Lunden is a freelance arts reporter and producer whose stories have been heard on NPR's Morning Edition, All Things Considered and Weekend Edition, as well as on other public radio programs.

Lunden contributed several segments to the Peabody Award-winning series The NPR 100, and was producer of the NPR Music series Discoveries at Walt Disney Concert Hall, hosted by Renee Montagne. He has produced more than a dozen documentaries on musical theater and Tin Pan Alley for NPR — most recently A Place for Us: Fifty Years of West Side Story.

Other documentaries have profiled George and Ira Gershwin, Stephen Sondheim, Richard Rodgers, Oscar Hammerstein, Lorenz Hart, Harold Arlen and Jule Styne. Lunden has won several awards, including the Gold Medal from the New York Festival International Radio Broadcasting Awards and a CPB Award.

Lunden is also a theater composer. He wrote the score for the musical adaptation of Arthur Kopit's Wings (book and lyrics by Arthur Perlman), which won the 1994 Lucille Lortel Award for Outstanding Off-Broadway Musical. Other works include Another Midsummer Night, Once on a Summer's Day and adaptations of The Little Prince and The Adventures of Huckleberry Finn for Theatreworks/USA.

Lunden is currently working with Perlman on an adaptation of Swift as Desire, a novel of magic realism from Like Water for Chocolate author Laura Esquivel. He lives in Brooklyn, N.Y.

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Remembrances
10:47 am
Sun July 15, 2012

'Oklahoma!' Actress Celeste Holm Dies At 95

Originally published on Sun July 15, 2012 3:10 pm

Academy Award-winning actress Celeste Holm has died. A star on both stage and screen, Holm was best known for roles in Gentleman's Agreement, All About Eve and Oklahoma! She was 95.

Holm died early Sunday morning in her Manhattan apartment with her husband, family and close friends by her side. She had been hospitalized a couple weeks ago following a fire in actor Robert De Niro's apartment in the same building.

If there was one role that put Holm on the map, it was as the coquettish Ado Annie, in the 1943 hit musical, Oklahoma!

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Deceptive Cadence
11:03 pm
Fri July 13, 2012

Tanglewood: Celebrating Beethoven In The Backwoods For 75 Years

Christoph von Dohnanyi and the Boston Symphony play Beethoven in the opening night concert of the Tanglewood Festival's 75th anniversary.
Hilary Scott Boston Symphony

Originally published on Tue September 18, 2012 1:22 pm

It now seems like a natural rite of summer — open-air classical music festivals where audiences can hear great music while picnicking under the stars. But 75 years ago, when the Boston Symphony first performed on a former estate called Tanglewood in the Berkshire Mountains of Western Massachusetts, it was a novel idea.

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Music News
1:54 pm
Fri June 29, 2012

Young Musicians Leave Nest For New Opportunities

Nathan Schram (back row, third from left) performs with his students from PS 75 in Brooklyn.
Stephanie Berger Getty Images

Originally published on Sat June 30, 2012 5:48 am

The odds of making it in the classical music business are long, but for the past two years, 25-year-old viola player Nathan Schram has received a stipend, health insurance, lots of amazing performance opportunities and a real-world education teaching violin students at an inner-city elementary school in Brooklyn. Now, Schram and his colleagues have to say goodbye to The Academy.

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Deceptive Cadence
11:03 pm
Fri June 1, 2012

A (Very) Young Composer Gets His Chance At The New York Philharmonic

Very Young Composer Milo Poniewozik at the New York Philharmonic's School Day Concerts, where his piece was performed in front of more than 2,000 kids.
Michael DiVito New York Philharmonic

Originally published on Tue September 18, 2012 1:51 pm

What would it be like if you were 10 years old and composed a piece of music that was played by the New York Philharmonic? For a few New York City school kids, including one fifth-grader, it's a dream come true, thanks to the orchestra's Very Young Composers program.

Composer Jon Deak, who played bass with the New York Philharmonic for more than 40 years, says the idea for Very Young Composers came when he and conductor Marin Alsop visited an elementary school in Brooklyn several years ago.

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Theater
11:41 pm
Thu April 26, 2012

Managing The Gershwins' Lucrative Musical Legacy

In Nice Work If You Can Get It, Matthew Broderick plays Jimmy Winter, a New York playboy of the Prohibition era. The show is at the Imperial Theatre.
Joan Marcus Boneau/Bryan-Brown

Originally published on Fri April 27, 2012 4:24 am

In the 1920s, it wasn't uncommon for the Gershwin Brothers — composer George and lyricist Ira — to have two shows running on Broadway at the same time. What's surprising is that this season, 75 years after George's death, it's happening again, with Porgy and Bess and Nice Work If You Can Get It.

It's no coincidence: Both shows were generated by the Gershwin estates, the nieces, nephews, grandnieces and grandnephews charged with looking after a legacy that's not only highly loved, but immensely lucrative — a multimillion-dollar-a-year responsibility.

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