John Powers

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TERRY GROSS, HOST:

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Near the beginning of Stanley Kubrick's 2001: A Space Odyssey, a big black monolith appears in an African desert, leaving a group of prehistoric ape-men standing there baffled. And that was pretty much the reaction that greeted the film itself when it premiered 50 years ago this week.

Nobody was quite sure what to make of it. The critics were harsh, with Variety dismissively saying flatly, "2001 is not a cinematic landmark." It's hard to imagine being more wrong.

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

If you're a fan of thrillers, you know that they're defined by two extremes. At one end are the plot-driven worlds that work like clockwork machines (for instance, Murder on the Orient Express); at the other are the stories that sprawl outward to offer a portrait of the larger society (like James Ellroy's Los Angeles or Stieg Larsson's Sweden). As it turns out, I've recently come across an enjoyable example of each extreme.

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DAVE DAVIES, HOST:

I don't believe in ghosts, but sometimes when I walk through my house I think I hear the forlorn cries of all the books, movies and TV shows that I've loved over the past few months but never got around to talking about. And so, every December, I try to silence those cries with my annual "Ghost List" of favorites I've ignored — a group that in 2017 ranges in spirit from cosmic surrealism to ripped-from-the-headlines immediacy.

National Treasure, Hulu

There's an unforgettable scene in the Netflix documentary Joan Didion: The Center Will Not Hold. Filmmaker Griffin Dunne asks Didion about the legendary moment when, while reporting a piece on the counter-culture in San Francisco's Haight-Ashbury neighborhood, she came across a 5-year-old girl tripping on LSD.

"What was that like?" Dunne wonders. Didion pauses, and replies, "It was gold." Which is to say that the little girl was great material.

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

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