Fresh Air on KAZU

Weekdays, 2pm - 3pm; Mon - Thu, 7pm - 8pm
Terry Gross

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Fresh Air with Terry Gross, the Peabody Award-winning weekday magazine of contemporary arts and issues, is one of public radio's most popular programs. Each week, nearly 4.5 million people listen to the show's intimate conversations broadcast on more than 450 National Public Radio (NPR) stations across the country, as well as in Europe on the World Radio Network.

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Fresh Air Weekend
10:56 pm
Fri March 2, 2012

Fresh Air Weekend: 'Being Flynn,' Barry Blitt

Credit

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:

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Movie Reviews
8:25 am
Fri March 2, 2012

'The Lorax': A Campy And Whimsical Seussical

At the far end of town
Where the Grickle-grass grows
And the wind smells slow-and-sour when it blows
And no birds ever sing excepting old crows ...
Is the Street of the Lifted Lorax.

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Author Interviews
8:22 am
Fri March 2, 2012

Frank Calabrese Jr. On Opening His 'Family Secrets'

This interview was originally broadcast on March 14, 2011. Operation Family Secrets is now available in paperback.

When Frank Calabrese Jr. was a teenager, his father came home one night and took him into the bathroom for a chat.

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Television
8:57 am
Thu March 1, 2012

It's High Concept, But Will It Keep You 'Awake'?

The premise of NBC's new detective series, Awake, is about as high concept as it gets. Jason Isaacs, one of the leads of Showtime's Brotherhood, stars as Michael Britten, who survives a horrible car crash intact. Well, his body is intact — but his mind, or at least his subconscious, is split.

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Music Reviews
5:22 am
Thu March 1, 2012

Hugh Masekela: Wedding Songs That Don't Sound Blue

Credit courtesy of the artist
Hugh Masekela.

In 1968, Hugh Masekela was not quite 30 years old and though he was in exile from his homeland of South Africa, he seemed ready to become at home on the American jazz and pop markets. That summer, he had scored a number one single, "Grazing in the Grass." A year earlier, he'd been one of the few international performers at the 1967 Monterrey International Pop Festival and had appeared in its D.A. Pennebaker documentary. Yet strangely enough, over the next 45 years Masekela never quite found his sweet spot.

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