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The Singing Detective is the story of a writer of pulp-fiction novels, hospitalized for a horrible skin condition that has his entire body flaking and raw, and his mind slipping in and out of fever dreams.

Some of those hallucinations have the people around him breaking into song, or shifting into other places and times and characters, or both. He tries to maintain his sanity by rewriting, in his head, one of his old novels into a Hollywood screenplay — and, in his mind, he's the healthy, good-looking protagonist — the singing detective.

In sophisticated comedy, what's funny is the tension between proper manners and the nasty or sexy subtext. Whereas in low comedy, there are no manners, and the nasty or sexy subtext is right there on the surface.

And then there's Wanderlust, in which the subtext is blasted through megaphones — the characters say so insanely much you want to scream. The satire is as broad as a battleship and equally bombarding. But it takes guts to do a comedy this big without gross-out slapstick, and the writers and the actors are all in.

This interview was originally broadcast on Dec. 6, 2011.

In the first part of his career, J. Edgar Hoover was often hailed as a hero. As a young man, he helped reorganize the cataloging system at the Library of Congress. Later on, after Hoover became the first director of the FBI, he introduced fingerprinting and forensic techniques to the crime-fighting agency, and pushed for stronger federal laws to punish criminals who strayed across state lines.